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O Dio Mio

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Mona Robbins

O Dio Mio

Hoffman-Manning, Topper ASCAP



1960 cover of Annette (Buena Vista Records)


Candy Kisses

Teen Age Bop

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O-Shoo-Bla-D  (Teen Age Bop)



Susan Cabot worked by day as illustrator of children's books in New York when she was spotted one evening by Max Arnow, casting director for Columbia Pictures at Manhattan’s Village Barn where she supplemented her income by working as a singer.

"Teen Age Bop" is from "Carnival Rock", a Roger Corman movie from 1957.
Susan Cabot is second only to Beverly Garland when it comes to Roger Corman's leading exploitation queens.  Cabot graced many Corman quickies in the '50s including such cheapie favorites as The Sage of The Viking Women and their Voyage to the Waters of the Great Sea Serpent (1957).  War of the Satellites (1958), and the title role in The Wasp Woman (1959). Other memorable Cabot-Corman films include Sorority Girl (1957) and Machine-Gun Kelly (1958) [source: Fangoria]



Nature Boy

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Tony Randall

Nature Boy




From his first album (on Imperial Records), issued back when he was a supporting actor in film comedies and sitcoms. Later best known for talk and game show appearances.  

“Nature Boy” penned by eden ahbez belongs to no category and perhaps should not be described at all. Randall claims to have no memory of recording it.

Recorded in August 1959 in New York City under the superivion of Henri Rene; arranged & conducted by Bernard Green (of the Mr. Peeper's Show). Issued early 1960.


I Ain't Changin'

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Jamie Marlowe





Florida, from 1970 (or early 1971).   A Product of Hyperbolic/Hit Records International located at 548 NE 42nd St., Ft. Lauderdale.  Not listed in this discography
 






Vote For Me For President My Name Is Buddy Max

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Buddy Max
The Singing Roller Skating Cowboy


Vote For Me For President My Name Is Buddy Max

Cowboy Junction
Hwy, 44 West, Lecanto, Florida 32661









Besides being a flea market manager, skating rink proprietor and recording artist, Buddy Max is an actor. In one corner of his land, he built a small amphitheater where, from 1969 to 1974, Buddy and his wife Freda portrayed Adam and Eve. Their son, Johnny, was cast as the Cherub who chased them from the Garden of Eden. They all wore flesh-colored leotards.

"I pulled a string -- you couldn't see the string -- and the rib came up," said Buddy, whose real name is Boris Max Pastuch. "It was actually a religious play, see."


Billboard Spotlight, September 27, 1997


Shake His Hand

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Peanut Faircloth
with The Log Cabin Boys



Shake His Hand
(Religious adaptation of "Shake A Hand")

1954


Charlie Raiford “Peanut” Faircloth Sr,
1927-2010

Born in Mitchell Country, Georgia, Charlie Faircloth had childhood polio which stunted his growth at 4’8.” This led to his nickname, “Peanut.”

He began his radio career at WNEX in Macon in 1946. While there, he also performed in a trio with future Hall of Fame members Boudleaux & Felice Bryant. His 1948-49 WNEX radio program, The Hoedown Party, was carried nationally via the Mutual Broadcasting System.

Country superstar Ernest Tubb heard him, brought him to Nashville and took him to Decca Records. Faircloth made his initial disc impact with a cover of Moon Mullican’s “I’ll Sail My Ship Alone” in 1950. Other Decca singles included “Mississippi River Blues” and “Coffee, Cigarettes and Tears.”

More....


Three Cherries

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Arnie & Chisé Trio

Three Cherries

 T. Hoshino, H. Hamaguchi (Shinko Music)




This is Arnie Derksen and Chisé Suzuki, his Japanese wife.  According to Fort launderdale News night club editor Pat Brown "Chise's English seems to be getting more fractured with each return engagement."
Arnie Derksen was on the country music scene in the late 1950s. His roots go back to Northern Canada.  He started his musical journey in Winnipeg where was featured at the "Rancho Don Carlos", one of the largest night spots in middle Canada at that time. He had four singles released by Decca in the USA in 1958-1959. See 45cat


Chisé Suzuki


Endless Sleep

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Pat Stanley & The Lancers

Duel 3710

Covers of Jody Reynolds and The Crescendos by Pat Stanley about who I know nothing. And this release seems to be the only one of this Duel label? Date is also unkown (mid-sixties?)

Fort Worth, Texas record, produced by Mike Dooley, who had managed and produced Nick Kithas (aka The Creep) and Eddie James and the Ambers, both issued on Homer Lee Sewell's Oakridge Records.



Endless Sleep


Oh Julie

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Mama, Forgive Your Truckin' Man


From Manchester, Pennsylvania, here is Edna Mae Henning (born in 1941) on her own Henning Surprise label. According to waxidermy, she wrote over 10,000 songs. 

Discography (all on Henning Surprise, late 70s and 80s)

VMRFP-1164   (1978)
Mama, Forgive Your Truckin' Man    
Humming A Country Song    
Tune In Your C.B.
If You See My Baby

HSR 345
He Left Me
Give Me Time To Cry

HSR 001
I Can't Get Over You    
You're The Reason

NRF-45-289 (PS)   1980
It's Love, Love, Love    
Walking And Talking Over You

NRF-388
Please Mr. Dee-Jay
Getting The Blues Over You

SR-72188
Someday Darling    
Your Baby Wait's At Home

NRF-45-101 (PS)
Doggone It You Slipped And Gone    
Me And My Piano    
I'm Gonna Play This Ole Piano (No. 2)    
Come Back And Try Me One More Time

Blow Top Blues

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Donna Drake



Blow Top Blues

From the album "Donna Sings Dinah" featuring the Wynton Kelly Trio (Alma Records, 1968), Redd Foxx introduces Miss Donna Drake.

Info from the LP's back cover:
Since the Queen's passing, Redd Foxx has seen and heard dozens of new voices and faces in the many clubs he works, but none that compared to the great Dinah Washington, that is, until he heard Donna Drake.  Since that first listen, Redd has been determined to let the World hear her too.  That determination led to the making of [the] album
Donna Drake was born in Wheeling, West Virginia and come to Detroit at age 3.  The oldest child of four children, she attended Detroit's Northern High chool where she first sang with the school choir and participated in variety show with such school chums as Paul Chambers, Donald Byrd and Barry Harris. After winning a Windsor, Ontario, talent contest, she received a contract for a television show. (...) She worked for a while with the late great Charlie Parker till the time of his death.  After that, a tour of the East and Midwest and parts of Canada, and then a supporting singer for such stars as Gloria Lynn, Betty Carter, Brook Benton and Joe Williams.  Donna's meeting with Redd Foxx took place while he was appearing at Detroit's Charade Club.  Backing Donna is the Wynton Kelly Trio, the same group who for so many years backed Dinah Washington.

I Wanna Hold Your Hair

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Yeah, Yeah, Yeah, Yeah (Yeah, Yeah, Yeah)

Warner Bros. 5420   
March 1964


Larry Orenstein, probably the man behind The Bagels (did he also sing?) wrote both songs, which were published by Leeway Music (ASCAP) owned by his old friend Hal Levy.

Larry Orenstein [1918-2006]
A jazz trumpeter and singer, played trumpet for the Paul Whiteman and Orchestra (as "Larry Neill"), then performing solely as a vocalist with the orchestra of bandleader Shep Fields. In addition to his work with other bands, such as that of Ray Noble, he kept busy as a sideman for radio variety shows.

In 1955 he was hired on to The Donald O'Connor Show (1954) as a songwriter, and later wrote songs for (and had a small part in) an episode of I Love Lucy (1951) called "Lucy Goes to Scotland". In 1956 he was hired by Sidney Miller, with whom he had worked on "The Donald O'Connor Show", to write songs for The Mickey Mouse Club (1955), for which Miller was a director. In addition to writing music, Orenstein also came up with storylines for several episodes. He left the show at the end of the season. He freelanced as a songwriter for television (he wrote the theme song for Bachelor Father (1957) and stage. In the 1970s he started his own advertising agency, and among his clients were among others Sony, Pioneer and McDonalds.

He died of pneumonia on February 22, 2006, in Sherman Oaks, California.

Five Years

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Tony Dodge



Five Years

Marvin Silverman-Hardy Salwitz
Michele Music ASCAP
   Arranged and conducted by Hardy Salwitz

Square Records 45-S101
1960

Tony Dodge, real name Alan Mark David, born in 1928 in New York City. David’s father worked for the New York Press.  Well, not exactly.  Essentially, he was a presser in New York’s Garment Center.  But, when asked what his father did for a living, he always said he was with the New York Press.  Of course, his mother was a housewife, no self-respecting woman worked outside of the home in those days.  The family moved to Bensonhurst, Brooklyn in 1935.

A Korean War Veteran, Alan David was with the United Service Organization and an entertainer in New York, City & Suburban Night Clubs.  Joined the Dr. Scholl Company in 1954.

Owner of Square Records was Marvin Silverman.

Artists on the Square label (1960-1962) : Joanne Carter, Bobby Reno, Bobby Lance, Dave Zaval, Johnny Crear, Alfred Rage, Renee Matthews, The Axcents, Matt Cord and Lee Randy

Cactus

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Legendary Stardust Cowboy

While a student at Lubbock’s Monterey High School in the mid-sixties, Norman Carl Odam, the only son of Utahonna Beauchamp, a clerk at J. C. Penney’s, and Carl Bunyan Odam, an auto mechanic, would stand on the school steps and bang on an old guitar (using only the G7 chord, according to Ely). Often, suited up in his Ledge outfit, he’d tool into fast-food drive-ins in a light blue Chevy Biscayne with “NASA presents the Stardust Cowboy” spray-painted on the side, hop on top of the car, and start his show. The kids would rearrange their cars to face him. Some would cheer him on, others would pelt him with Sweetarts or clumps of dirt, then invariably—before he could demonstrate his skills on the bugle and the washboard—fights would start and he’d have to peel out.  (from Texas Monthly, June 2000)

Change Your Mind

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Change Your Mind



A Man Only Does

This is a second issue, probably from 1964, released on the Beacon's Joe Davis label.  The record was previously issued on Hudco, a label owned by Joe Davis' wife, Bertha Davis.



 
Hallique
(Hallique Foster Henry 1919-2006)

Described by a 1944 article as an Harlem beauty, Hallique was known because of her extensive travelling with her husband, Haywood Henry, sax player with Erskine Hawkins orchestra, According to the same article "She operates one of New Yorks's finest fashion marts known as Hallique's Fashion Shoppe and is recognixed as a fashion stylist of rare distinction."

She recorded only sporidically. Therewas a single for Clock in 1960 and another on Joe Davis in 1966 (See 45cat)

In the late sixties, she operated Que Records, which issued several adult comedy albums, perhaps recycling old Joe Davis masters. See Discogs

 

Tallahassee Lassie

Way Out West

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Mae West

Way Out West
Tower Records 2056
1966

Backing band : Somebody's Children (aka the Chyldren, aka The Off-Beats, aka The Children)
A Dagonet Production (David Mallet)

Derek Taylor* wrote in his book "As Time Goes By"[excerpt]
[...] David Mallet called me one day in Hollywood and asked me if I would like to represent Mae West. I said, oh I don't know, I'm very busy, you know how it is. He said she had made a rock'n'roll record, an album called Way Out West for Tower Records (a Capitol subsidiary which Capitol closed with an axe in the back in 1969), and she was going to need publicity on account of she had not been heard for some years.

David Mallet was then in his early twenties. He was British, living in Hollywood, and working as assistant producer to Jack Good on Shinding!, and [...] he was very enthusiastic and persuasive and it took him all of half a minute to persuade me to change my mind and I promised to work for Miss West.

He warned me there was much to be done. "She is a very fussy old lady," he said, "but you mustn't ever use the word "old" in her presence.  She would be very cross, very cross indeed." [...]

*Derek Taylor was The Beatles’ Press Officer in 1964 and the Apple Press Officer between 1968 and 1970. Between times he represented many acts including The Beach Boys and The Byrds. He continued to work with The Beatles in the 1980s and 1990s,


Shakin' All Over


Voodoo Doll

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The Interiors

Worthy W-1008
Leroy Braswell, Jimmy Dockett, Junior Fry, Stanley Greggs, Bernard Newman, and Jay Otis Washington are The Interiors. 

Worthy Records and Worthy Music were located at 550 Fifth Ave., N.Y.C.  Gil (Gilbert) Snapper owned the label. He recorded on his own label as Ashley Beaumont The 18th .



I'll Meet You By The River

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The Sheppard Singers




Show-Me 1158

Unlisted Starday Custom release out of Potosi, Missouri. From 1966.  Members included Marjorie Sheppard (1925-1999) and her father Orvil Sheppard.  The Sheppard Singers sang gospel on KYRO Radio Station and also at many churches in the Potosi area.

When It's Time

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Mike Rogers
Nashville Jamband

JOiFU 149

When It's Time
wr. joi dibrango - fu wilson




Oddity from 1975.  Who were Joyce Di Brango and Frank Wilson, sole owners of JOiFU Records, located at 102 Hobart Street, in Utica, N.Y.? I can't find much info about them. 

Joi (Joyce Lauraine DiBrango) was born in 1944.  A 1959 newspaper tells us that she was a member of The Utica Grammar School Girls Basketball League team that wins a city “sports day” tournament  and that she was from Roosevelt School.

Even more mysterious is Fu aka Frank Edward Wilson, born in 1912.

JOiFU Records was active in the seventies and released two "Broadway Musical Show" albums and several singles recorded by 
Mike Rogers, 
Gene Marshall, 
Gene Marshall & The Clicking Flicks, 
Jim Fraser, 
Big Jim Biji (Jim Fraser?) And The Biji Roks, 
Connie Heywey And The Biji Roks
Connie Wayne and the Winchester Beegees.
Text (mixing upper and lower case) found on the back of their second album cover is a complete nonsense :

Excerpt:
This is the 2nd Broadway Musical Project by ASCAP writers/publishers and record label owners Joyce Lauraine Dibrango "joi" and Frank Edward Wilson "fu" from Utica New York. They are experienced veteran professional all music artists, Jazrok is their paramount style and Frank's stint with the Utica Civic Orchestra brought the USA National Title to that Group in the 1950's.  

"Rocking with Barbara" song 5 explains "Queen Barbara" is the real USA all Music Queen. She is Real. You may see her any day at her executive office desk. Her 1970-1980 The greatest in all time USA history. That gigantic.
 More later, hopefully...

Frank "Fu" Wilson
Broadwady ASCAP



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