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It's a Hap-Hap-Happy Day

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It's A Hap-Hap-Happy Day


Roye Dodge [dance] Studios were located at 8 Second St, New York City, owned by Roye Dodge and his wife Jayne.Roye Dodgewas a well-known tap dance instructor and choreographer.

R&J Records, the studio label, released a series of records by uncredited artists designed as accompaniment for dance instruction. [See discography at discogs]


Roye and Jayne dancing in 1943




It's a Hap-Hap-Happy Day was written by cartoonist Max Fleischer's staff musicians Sammy Timberg, Winston Sharples, and Al Neiberg.  the song was featured in "Gulliver's Travels,"Fleischer's animated feature film and sung by the Lilliputian villagers as they made a new suit of clothes to fit their friend and protector, Gulliver.


Mack The Knife

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From The Gone Records LP "Willie Restum At The Dream Lounge"
1959

Willie Restum, Allentown's irrepressibly effervescent baritone saxophonist and lounge entertainer died in Los Angeles from a stroke in 2006 . He was 76.

Dressed in his trademark outfit of black Clark desert boots, black socks, Bermuda shorts and loose, loud shirt with kangaroo pouches, the well-known entertainer performed at venues from the Allentown Fair to the Dream Lounge in Miami Beach to the Playboy Club in Hollywood. Mixing stardust standards, Arabic dance numbers and jokes of all stripes, he shared bills with Sammy Davis Jr., Tony Bennett and other stars.




Another interesting version of "Mack The Knife" by the unknown Meg Andre from 1968 on the Al Furth's AlphaPop label.

[The Jeff Gray version has been posted here two years ago]


I'm Coming Down Mama

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Aaron Love
is an Arkansas singer and drummer whose nickname is the Jonesboro Blues Man. He returns yearly to the Blues Fest held in his hometown of Jonesboro, AR, to attend the reunion of Alley Records recording artists. "I'm Coming Down Mama," an Alley Records release, was a local hit for Love.

Some info here


Hootchy--Koo

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Wayne Tursso
and Tim's Galaxies Orch.

Twayne T-100 (PE-802)
1963


Hootchy--Koo


Playing For Keeps

Two covers (Larry Williams & Elvis Presley).  "Playing For Keeps" penned by Stan Kesler was first recorded as a demo for Elvis by Barbara Pitman.



Wayne Tursso (1938-2016)

Wayne Charles Tursso was born in St. Paul, MN, on September 18, 1939. He grew up and received his education in South St. Paul, MN, and later attended Brown Institute, in Minneapolis, MN.

From May of 1962 until February of 1965, Wayne served in the US Army. After his discharge, he lived in Minneapolis, Des Moines, IA, and Detroit Lakes, MN, before coming to Fargo, ND. He worked at several radio stations and sold insurance for AAA and Prudential. He worked in sales and circulation for the Fargo Forum, until he retired in 2014.

In 2015, Wayne became a resident of Golden Living Center, Moorhead, MN, where he died on November 2, 2016, at the age of 77.





Let's Hide Away and Dance Away

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(strictyl instrumental)

King 773

One of the best guitar instrumental albums by one of my favorite guitarist, Mr. Freddy King!
Twelve tracks recorded in Cincinnati in August 1960, April 1961 and July 1961.

01 - Hide Away
02 - Butterscotch  (aka Onion Ring)
03 - Sen-Sa-Shun  (aka Bumble Bee Sting)
04 - Side Tracked 
05 - The Stumble  
06 - Wash Out     
07 - San-Ho-Zay   
08 - Just Pickin' 
09 - Heads Up     
10 - In the Open  
11 - Out Front    
12 - Swooshy
Ripped from the King CD 773.(Made In Canada)
 

Mansion On The Hill

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Killer Warren Waid
and his Musical Saw


Mansion On The Hill

RM 42981

For the musical saw enthusiasts there is a dedicated website :  https://sawnotes.com/ 



Among the famous people who played the musical saw, there was — I didn't known that— German movie star Marlene Dietrich. According to arts in exile
Marlene Dietrich was taught to play on the musical saw during shooting in summer 1927 by her fellow actor Igo Sym, who gave her the instrument as a farewell gift. She took the saw with her to Hollywood and astonished directors and crew with her playing on the set of at least six films. But the musical saw was never used in any of her films. It was only during her engagement entertaining US troops in 1944/45 that Marlene Dietrich performed with the instrument. There were roars of enthusiasm whenever she hitched her skirts to play on the saw for hundreds of soldiers on a stage improvised from the loading areas of two trucks. Some of her performances with the musical saw were also broadcast on American radio, e.g. in Milton Berle’s road show Let Yourself Go on 20 June 1944.
Today, the real modern musician (like Jackyl) uses the chainsaw :







Acknowledgments: Scott Rogers (YouTube) and Jackyl (YouTube also)

Call Me Skinny

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Jim Climer

Call Me Skinny

Rolando 45-202
Produced by Roland Janes
Late sixties?

Memphis (or West Memphis, Arkansas?) artist and radio personality (on KWAM), Jim Climer had two records issued in 1962 : on the Kris label, Little Twister/On Top Of Old Smokey and on Fernwood : Tall Mack The Lumberjack/he Clown With A Broken Heart.  According to Wayne Jackson, trumpetist with The Mar-Keys, Jim billed himself in these days as "Jim Climer, Ninety Pounds of Rock and Roll".

A friend of Eddie Bond, he co-wrote with him a song entitled "Ballad of Buford Pusser." 


Hey Little Girl

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Tommy Moore

Hey Little Girl
Tommy Moore, Tweety Music & Skyrocket Music (BMI)

A Kelly Owens Production
Distributed nationally by Stroll Records
201 W. 49th St. - CO 5-9693

My Brother's Record Co.
Record No.103 C-O

Tweety Music
was owned by Kelly Owens. According to a mickey rat comment , active & always informative 45cat member :
I'm pretty sure Kayo was owned by Kelly Owens and affiliated with his Tweety Music publishing firm. Kelly Owens was a very busy pianist/arranger in New York in the 1950s and early '60s and was involved with countless R&B and pop sessions for Savoy, DeLuxe/King and Morty Craft's various labels, often in collaboration with producer Fred Mendelsohn. He was also part-composer of numerous songs, notably Elvis's "I Beg Of You" with Rose Marie McCoy. Earlier Kayo releases were distributed by Lou Krefetz's Poplar Records, but by this stage Morty Craft's United Telefilm was doing the job.
Skyrocket Music was owned by Bennie (or Benny) Clark. His full name was Benjamin Franklin Clark, a much obscure player on the New-York musical scene in the late fifties/early sixties.

Related labels:
https://www.45cat.com/label/kayo
https://www.45cat.com/label/my-brothers
https://www.45cat.com/label/stroll
https://www.45cat.com/label/fountainhead
https://www.45cat.com/label/skyrocket-us

For the record, the coat of arms found on the label is also seen on Kayo 101 (The Regents), Fountainhead 105 (Bobby Long), Sky-Rocket 107 (Danny Robinson) and Stroll 109 (Duke & The Ambers). This is (my own research) the coat of arms of...Venezuela.



According to Wikipedia :
The shield is divided in the colors of the national flag. In the dexter chief, on a red field, wheat represents the union of the 20 states of the Republic existing at the time and the wealth of the nation. In sinister chief, on a yellow field, weapons (a sword, a sabre and three lances) and two national flags are tied by a branch of laurel, as a symbol of triumph in war. In base, on a deep blue field, a wild white horse (perhaps representing Simón Bolívar's white horse Palomo) runs free, an emblem of independence and freedom.

Above the shield are two crossed cornucopias (horns of plenty), pouring out wealth. The shield is flanked by an olive branch and another of palm, both tied at the bottom of the coat with a large band that represents the national tricolour (yellow for the nation's wealth, blue for the ocean separating Venezuela from Spain, and red for the blood and courage of the people).
But after all, this surprising borrowing (probably an idea from Mr Clark) is not that intriguing, as his Stroll label also had as well a stroller copied probably from some New York cartoonist and a fountainhead on his Fountainhead label copied from an old 78 rpm from the Fountainhead Record Company

I've not been able to find any info of this Benny Clark (another and later Benny Clark musician is/was from Buffalo, New York).

There was a Bennie Clark who was the elevator operator at Ziegfeld's New Amsterdam Theatre, a Broadway theatre located at 214 West 42nd Street between Seventh and Eighth Avenues in the Theater District of Manhattan.  This Bennie Clark had been running the car for years, and he knew all the girls [of Ziegfeld].  Perhaps this is the same Bennie Clark? Perhaps he saw once (and liked it) the coat of arms on the door of the Consulate-General of Venezuela in New York City (located today at East 51st Street)?

Anyway, are you still there?, the song on flip is "You've Got To Reap What You Sow"





Sonya and the Avons sing for Riceland Rice

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Sonya and the Avons
sing for
Riceland Rice

Pressed by Southern ¨Plastics in Nashville in 1964. A promotional record for Riceland, a company founded in 1921 with headquarters in Stuttgart, Arkansas.

Produced by Noble-Dury, a nationally known advertising and public relations firm. Noble-Dury reigned supreme for a 30-year period that spanned from the 1940s to the mid-1970s. The agency is widely regarded as the most successful ad firm in Nashville’s business history, and for a time, it even ranked as the largest agency in the Southeast. Noble-Dury represented leading national and regional consumer brands, as well as banks and insurance companies, but the firm’s reputation and fortunes largely hinged on relationships with Kentucky Fried Chicken and Pizza Hut.

Les Beasley (of The Florida Boys gospel group) and Jan Doughten (or Jane Dowden?), vice president of Noble Dury, developed and co-produced the television show Gospel Singing Jubilee, an hour-long television program hosted by the Florida Boys that featured a number of other Southern gospel groups as guests.  The Gospel Singing Jubilee, which became the most watched gospel program on television, began in 1964 on a Sunday morning . The show ran for twenty-five years.

Backing Sonya, the lead singer, are certainly The Avons, whose first taste of the studio was an initial one-off hire for budget label Hit, providing uncredited backing vocals to Peggy Gaines’ cover of The Marvelettes’ “Playboy” (Hit 17).  Much more info on The Avons by E. Mark Windle here

I'm fairly confident that this is the same Sonya of Sonya & the Capris on Scarlet (1959) and Sonya (alone) on Dot (two singles in 1961 and 1962 and also (why not?) Sonya And The Sensations (Dont Feel Like The Lone Ranger)On Gend (1963)
 
May the new year bring me some info about the mysterious Sonya and (am I asking too much?) a picture of her...

Riceland Rice ad from 1965


Let The Good Times Roll

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The Del Counts

Let The Good Times Roll

Soma Record Co. 1430
1965

The Del Counts were started by Charles Schoen, who was inspired to start a career in music after learning to play the guitar while he recovered from a serious injury.  He named the band after his first drummer, Del Leon LaFave. "We were called the Del Counts from the start," Schoen said. "Del counted the songs — funny how that came about."  
 
Soon, Tony Preese replaced LaFave on drums Bill Soley played bass and Tom Aspenwall was the guitarist..

The band’s breakout song, “Let the Good Times Roll,” was released in 1965 and caught the attention of listeners. When the song was first released, it became an cue for local gangs to start brawling on the dance floor when the chorus began. The band realized that they may need to hide behind their equipment while performing the song to avoid injury.

In 2019, Governor Tim Walz has declared Friday, April 26, Del Counts Band Day, as the band celebrate with a 58th anniversary show. The Del Counts, who have been performing since 1961 and are widely considered the longest-running rock group in the state, continue to play shows decades later to nostalgic followers.


Potato Diggin' Man

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Andrew "Blueblood" McMahon

Recorded for Cadillac Baby in Chicago, December 1971 : Andrew McMahon, vcl, Little Mac, harmonica, Hubert Sumlin & Eddie Taylor, guitars, Sunnyland Slim ,piano, Odell Campbell, bass and Willie Williams, drums

Andrew McMahon joined the Howlin’ Wolf Band in 1960, as bass player. Blueblood worked with Wolf for over 13 years, appearing on a couple of 1964 sides and on the 1972 album The Back Door Wolf. In the 60’s he also backed Morris Pejoe and Freddy Young on record. In the 1970’s he recorded two albums: Blueblood on the Dharma label in 1973, and Go Get My Baby on Storyville in 1976.

Wild, Rare & Well Done

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He's pretty gone there, ain't he?! 
Hasil Adkins on Dean Morgan


Old Daddy Cool


Neanderthal, Cro-Magnon, primitivo, insane, strange, dumb, fantastic, weird, bizarre, insane, twisted, deranged, crude; such are the words found in various reviews, blurbs or articles with reference to the recordings of Dean Morgan.  In 1997, Norton Records issued his four sides released on his own Rare Records and, more recently, Doberman Records included a fifth musical opus, "Old Daddy Cool", in their Real Gone Racket compilation.

Discography:
Wild 101 Crazy Beat / Old Daddy Cool
Rare 101 Good Rockin' Tonight / Rock My Blues Away
Rare 102 Little Maggie / Climb The Wall
unissued (?) : The Jellyrock ©1961
unissued (?) : Mama Done Told Me ©1963
Date of releases is unknown. Both songs of Wild 101 were copyrighted in 1961, "Rock My Blues Away" and "Climb The Wall" in 1965.


Dean Morgan is almost certainly the same Dean Morgan that I've found at No Nukes:
“Who Threw the Cow in Vermont Yankee’s Cooling Tower?”– by Dean Morgan
In the early days of the Vermont Yankee Decommissioning Alliance New Hampshire songwriter and garage door factory worker Dean Morgan wrote this song to the tune of “Who Threw the Overalls in Mrs. Murphy’s Chowder.” Dean died of a heart attack in 1987 but we’ve preserved his music and will have more of his anti-nuclear musical parodies posted here soon.
Wild, Rare & Well Done includes the 4 Rare sides, Old Daddy Cool and Who Threw The Cow. "Crazy Beat" is missing.



The No Nuke guy is the same Dean Morgan

Yes, I agree
No, you rave
Created with Survey Maker

The Fabulous Beats Go Country Style!

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Design Records LP 173
(1964)
Hardy-har-har. The gag is having four mop-topped Beatles imitators sing country standards, with familiar harmonies, fake accents and surfy Fender guitars... The results are subpar but entertaining: these manic and anonymous lads sound more like Chad & Jeremy than John, Paul, George & Ringo, but it's still kinda funny. And of course, the real Beatles would have the last laugh when they demonstrated their love of twang and recorded actual country songs (such as their cover of "Act Naturally") which gave George Harrison a chance to perfect his Chet Atkins riffs. Anyway, this cheapo-label knockoff is a nice curio of the British invasion era.

I Get Shook

Say It, Say It

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Betty Jo Baxter


(1959)


 

Betty Jo Baxter, born in 1930, performed regularly with the Freddy Guerra Orchestra and was also a regular on WBZ, a Boston, Mass. radio.  She was married to Jim Pansullo (a New England disc jockey) at the time of her first Vik single.

She also had records on Vik Records (1957-1958) and Brass Ring (1962)



If It Wasn't For The Kids (Volume 1)

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According to "Music As Torture / Music As Weapon" by Suzanne G. Cusick, a study published in 2006 by Transcultural Music Review :
The Free Republic in June 2005 posted a news story about the US Army's quest for a new speaker system to deliver music as a weapon or "torture" device. The story sparked repertoire suggestions that were occasionnaly laced with multivalent venom.  Suggestions included the music of Sousa, Welk, Donny and Marie, Barry Manilow, sound effects ranging from Tibetan chants to rabbit being slaughtered, the fantasy of Bill and Hillary singing "I got you, Babe", and anything by Yoko Ono.
Perhaps, if someone from the Joint Non-Lethal Weapons Task Force is reading this blog, he will found some inspiration in the songs ((actually, some are quite good...) that my patriotic fervor has tell me to assemble in my first kiddie compilation. God Bless America!




Blake Age 6 - Davy Crockett (Acetate, 1955)    
Obviously a custom recording, not intended for a commercial release I assume (and hope).     
Deb Ferrara --Christmas Time (Deblyn, 1965)    
First release on Deblyn Records by five-year old Debra.  Her father, songwriter Jerry Ferrara, and Joe Fresco launched the label in November 1965 in New Jersey.  Debra Ferrara had another release on the Lynde label featuring a cover of "These Boots Are Made For Walking".  Debra (Deb) is still performing today, had written material for others, and also released her own pop-rock CD.                      
Ivy Schulman - Rock, Pretty Baby (Royal Roost, 1957)          
From the film "Rock, Rock, Rock". Ivy was then six-year old. Rumored to be the  daughter of a Hollywood movie producer.
Jenny Lynn - Gee! It's Christmas Day (Beta 1000, 1958)            
"She's only six"  said the Beta ad which includes her picture published by Cash Box (Nov. 29, 1958).
Jeri and Her Boys-  All Shook Up (1958) 
This is Jeri Lynne Fraser performing in 1958 on The Ted Mack Amateur Hour, a TV talent show.  A child star, Fraser began her singing career when she was eight years old at a talent show in her Connecticut hometown with a song called Oh, Johnny. Three years later the slight, blonde Fraser auditioned for The Ted Mack Amateur Hour, a talent show on major network television, and won the opportunity to go to New York City to sing. “Jeri and Her Boys” wowed the television audience in 1958 singing All Shook Up. She then proceeded to win two more times affording her a select spot in the final show in Madison Square Garden. At 12, Jeri signed her first recording contract with Big Top Records and at 13 signed with Columbia Records.                             
Little Carolyn Sue - I Hate Men (LAR, 1968)         
With Highway Rythum Boys.  From Indiana, her only recording. "I Hate Men"was comped on Twisted Tales from the Vinyl Wastelands Vol.1. It's a cool hillbilly bopper with crazed lyrics.
Little Cori - Picture Of Mommy Twisting With Santa (Air Wave, 1962)    

I quote: Cori, 7-year old daughter of Mr. and Mrs Vincent Petolino, of Bloomfield, has a vibrant personality which practically ear-marked her for early stage stardom, but a prior mysterious throat ailment appeared to handicap her early career, as a vocalist. She suffered repeatedly from a series of colds and sore throats.

The family doctor prescribed the removal of her tonsils and after the simple operation, Cori began to sing like a lark.  At first she harmonized to entertain her family and friends, but her talents were not to be confined when an executive of Air-Wave Records decided to give her a crack at waxing a record.

For more info, see this post
  Natalie Casey - Chick-Chick-Chicken (Polydor UK, 1983)   
Natalie Casey (born 15 April 1980 in Rawtenstall, Lancashire). At the age of three her single "Chick Chick Chicken" reached number 72 in the UK Singles Chart in 1984. This made her the youngest person ever to have a recording in the United Kingdom chart. In the 2008 live special of Two Pints of Lager and a Packet of Crisps, Casey performed the single for the first time in over 20 years. [Wikipedia]
Suzi Devereaux -  If It Wasn't For The Kids (Free Lance, 70's)    
This is Little Suzi Brawner of Edinburg, Central Illinois. Born in 1965, she began her country singing career at 5. The record was produced by Hugh X. Lewis, a minor-league recording star and performer who had an album issued on the same label.  Date unknown, but probably around the mid-seventies.
 Troy Hess - Please Don't Go Topless Mother (Show Land, 1969)   
The son of Bennie Hess, a colourful character in the record business, hillbilly singer and guitarist from Texas. He spent most of the rest of his life promoting his son Troy as the world's youngest country and western singer. Troy was already a veteran at the age of seven when he recorded 'Please Don't Go Topless, Mother'.  Reputedly, Troy had made his first stage appearance at the age of two and had recorded his first record at the age of four.

     

The Kids (Volume 2)

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"My father never raised his hand to any one of his children, except in self-defense".

Fred Allen, American comedian
1894 - 1956



Baby J.J.  - Amigo Mio (Chico)    
J.J. Villegas was born and raised in Lyford, Texas.  Son of conjunto Chuy Villegas.
J.J. has enjoyed a long musical career having begun to sing under Baby JJ y Los Happy Boys at about the age of 5 years old. He has played with numerous groups, including Roberto Pulido, Laura Canales & Laura Linda V and The Boys.
Carole Coby - Memphis-Calling-New-York-City (Epic, 1964)
Answer record to Chuck Berry. Carole Coby, whoever she is, later recorded a song in 1965 called "My Soldier Boy" (on the Roulette label, produced by Hugo & Luigi), one of the first song to mention the Vietnam War.
Tres & Kitsy - The Children Of Sunshine (KBK, 1971)
Tres Williams and Kitsy Christner from St. Louis County were both 10 years old when they recorded the album ‘Dandelions’. Encouraged by their guitar teacher, Tres and Kitsy wrote, arranged and recorded 10 songs. They used a picture from their school photography project for the cover, enlisted local musicians to help out and privately pressed 300 copies to sell to friends and family.  A Production of Kesterson, Bradley & Kesterson Custom Records, St Louis, Missouri.

Dawn Van De Pitte - Christmas Isn't Christmas (Buddah, 1976)  
Six-year-old daughter of Dave Van De Pitte, a Detroit musician and arranger. Jeff Parsons, Dawn's uncle, was complaining at dinner one evening he was having a hard time finding a singer to work with and little Dawn said, "Let me, Uncle Jeff." He did.
Joe Ward - Nuttin’ For Christmas (King, 1955)
Born April 27, 1947 in New York, Joe Ward was seen on the Juvenile Jury TV and radio shows during several years from the early fifties. His grandfather was a headliner in vaudeville, his grandmother was a pianist, his mother was a professional singer and dancer and his uncle, Sam Ward, was a songwriter and ASCAP member.
Little Adrian  - A Little Love and Understanding (1975)      
A product of the PPX Company in New York operated by Ed Chalpin, whose business was making quick, down and dirty (and unlicensed?) covers of bulleted chart movers, and then leasing them out to labels in foreign countries. "A Little Love and Understanding"  was issued in various countries but not, as far as I known, in the United States. 
Little Denise Stevenson - Hip Breakin (Voice, 1973)    
"12 years old with 50 years of soul" produced by Jimmy McCracklin, Oakland, California label.  On another Oakland label, she was billed as Little Denice (also a McCracklin production)
Little Jacky Wayne - White Felt Hat (REM, 1960)          
Born Jacky Wayne Waldrop prematurely on July 8, 1948 at the family home he weighed just over three pounds and those first days and weeks were touch-and-go. The family was resourceful and Jacky later learned just how much. “Grandmother put me in a roasting pan on the oven door and prayed all night and fed me with an eye dropper since I was so small.
Singing Jones Family - Whole Lotta Shakin' Goin' On (Sunnyland, 197x)   
From Mount Olive, Gastonia or Spartanburg, S.C,   mother Dot on rhythm guitar, father D. A. Jones on bass along with their teenage daughters, Linda (piano) and Rose (drums). All pictured together on the back cover of their LP "Sunnyland Records Presents The Singing Jones Family" smiling in front of their big mobile home/tour bus with "The Singing Jones Family" emblazoned on the side.  Produced by D.L. Hardin. Linda or Rose on vocal?
The Buttons - Shimmy Shimmy Watusi (Columbia, 1962)       
Nashville duo. Members : Connie Burns (aged 12) and Sandra Matthews (aged 13) (later known as Reggae singer Dhaima)
 

I'm Just Your Fool

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Rena Wright

I'm Just Your Fool

I'm Just Your Fool was written and recorded by Buddy Johnson in 1953, with vocal by sis Ella Johnson (Mercury 70251)
Orena Dunham Fulmer (1923-2011) had sung in church and amateur shows while in high school in Stockton, Calif.  When she married and moved to Texas she sang in choirs and on radio and she subsequently recorded as Rena Wright. 
Rena Fulmer said that her recording “You Meant Goodbye” included a young Marilyn McCoo (5th Dimension) on background vocals. The record reportedly got airplay on KFWB in L.A. Fulmer left Tide around 1969 to do missionary work in Baja Cali­fornia for five years. She apparently remained somewhat connected however, as she assisted with the group Third Point in the mid-late 70’s. She went into real estate in 1975.
Acknowledgments : Gary E. Myers

Discography :
1959 Deal Me A Hand / My Prayer At Eventide (Vita 185)
1962 I'm Just Your Fool / You Meant Goodbye (Tide 1079)
1967 This Angry World / B: Message To My Soldier Boy (Tide 2017)

Lucy Mae Blues

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Frankie Lee Sims (1917-1970) 
 
American singer-songwriter and electric blues guitarist. He released nine singles during his career, one of which, "Lucy Mae Blues" (1953), was a regional hit.

Sims was the cousin of another Texas blues musician, Lightnin' Hopkins, and he worked with several other prominent blues musicians, including Texas Alexander, T-Bone Walker, King Curtis and Albert Collins. Sims is regarded as one of the important figures in postwar Texas country blues. [Wikipedia]

 
Collection of his complete Specialty recordings compiled and produced for reissue by Billy Vera and mastered in 1992 by Joe Tarantino at Fantasy Studios, Berkeley.

All tracks recorded in Dallas in 1953 and 1954. From these 20 sides, only 6 sides were originally  issued in the fifties by Specialty :

459 Lucy Mae Blues / Don't Take It Out On Me   
478 I'm Long, Long Gone / Yeh, Baby!
487 Rhumba My Boogie / I'll Get Along Somehow   




Catch As Catch Can

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The Gentle Art Of Singing
demonstrated by professional wrestlers
12 tracks

Bad Boy Butch Batson - I Love a Girl Named Donna Epps (cassette,1989)  
Dixie Dee - Voodoo Mama (x)   *see note 1  
Frankie Townsend - I'm The Greatest (Fontana UK, 1962)            
Giant Haystacks - Baby I Need You (BSB UK, 1983)                  
Jerry Lawler - Bad News (Star Burst LP)                            
Jerry Lawler - Heart Of Stone  (Starburst LP)                       
Michael Hayes  - Badstreet USA (Grand Theft, 1983)                         
Roddy Piper - I'm Your Man (Epic UK, 1992)                  
Terry Funk - Barbra Streisand's Nose (Invitation LP, 1984)       
The Great John L's Challenge (Elm 110, 1976)                      
The Wrestlers - Land of 1000 Dances (Video, 1985)                 
Toad Fraley- Rnr Music Box (Allied, 1959)                       


notes:

1) Date & label of original issue of Voodoo Mama are uncertain : 1958 or 1959 or 1961 on Fine or on Terock. The only sure thing, is it was recorded in Buffalo (New York) by Dixie Dee, otherwise known as Rich Derwald.

2) Complete credits of wrestlers featured in The Land Of Thousand Dances video can be found here


Dixie Dee




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