Quantcast
Channel: Dead Wax
Viewing all 941 articles
Browse latest View live

Mama Lucie

0
0

The Dreamers

Steward
Clawk Music Co. BMI
Dream JF-45-101

1959


Florida rock & roll band made up of Largo High alumnus,  

Ralph W. Steward, Dreamers lead singer and lead guitarist died Dec. 27, 2010.

 Wally_Dow http://www.bandmix.com/wally_dow/ remembers :
I launched my music career while living in Clearwater, Florida. I played quite a few teen dances in the Clearwater area. I remember the first band to influence me was a group I first saw at the old Clearwater Auditorium called The Dreamers a band which was lead by a guitarist/vocalist from Largo, Florida named Ralph Steward. I used to go to the dances and watch Ralph and his other guitarist, Pete Bass (I hope I remember his name correctly) play, and then go home and practice what I saw them doing on an old acoustic guitar.



The two songs mentioned in the article above, "It's Gonna Be All Right" and "Don't Cry", were issued in 1959 on Nuggett Records, Tampa label owned by Lonzo and Oscar,  once a popular country act.


Bye Bye

0
0

Rubin Wright

R. Wright -L.Lovett
Lancer Music BMI
 
Lancer 101
 Distributed by Gone Records
November 1958
 
 
The Capris, Gotham Recording Artists
Rubin (or Ruben) Wright, front
 
From West Philly, pianist, songwriter and singer Rubin Wright recorded in the early fifties for Gotham Records as a member of The Capris.   His discography (solo career only) can be found at Sir Shambling website HERE.   
 
Lancer Records was owned by Lee Hasin in Philadelphia. The label had only a handful of releases in 1958-1959 (The Rosebuds, Don French and The Twins) mainly distributed through Goldner's Gone Records.

L. Lovett credited here as one of the songwriters is Leroy Lovett, a jazz pianist, arranger and composer. Both, Rubin Wright and Leroy Lovett recorded previously for Sid Pastner's Wynne Records.



The Eddy Duchin Story (cover art)

A Secret Memory

0
0

The Dolton Boys
(Gerry Boire, Andie Boire, Sidrian Music BMI)
Universal Sound 156

Early 1967


Unknown elvisy vocal, probably issued right after the merger of Sound, Inc of New Haven, Mich. and Sidra Records of Detroit (see Billboard 18 February 1967) as Sidrian Music is the song publisher on this Sound Inc. subsidiary label. 
 
Perhaps a Sidra production?
 
 
 


What Will I Do

0
0

 Ruby Rae Robinson

What Will I Do
(M. Horton-F.C. Brooks, Asnes Music BMI)
A Bowden-Brooks production
Asnes 105
217 W. 125TH Street, N.Y.C.

Sweet Ruby Rae's second single for the label. which according to address was located just down the street from The Apollo.  Its owner was probably Frennie Brooks (F.C. Brooks).  This is one of the earliest John Bowden production.

John Bowden, a gospel record producer, A&R and promotion man, was very active in the 1960s and 70’s and is most famously associated with HOB, a gospel label affiliated with Scepter Records, New York.  But his name appears also on obscure early sixties labels such as Ark, Rejo and Revelation, the latter co-owned with Bobby Robinson (Fire/Fury Records) and Clarence (Fats) Lewis.   




Ruby Rae Roberson Stephens (2010)
holding her Southern Sound single
Courtesy of Times Record News, Whichita Falls, Texas

Ruby Rae Roberson was born in Itasca, Texas.  She studied at Paul Quinn College, a black college located in Dallas.  She was 22 the day she auditioned in the Waco Coliseum.for Ray Charles who was then searching female singers for his newly formed vocal backing group, The Raelettes.   Ruby Rae spent two years with the Raelettes, from 1959 to 1960.   When her musical career was over, she came back to Texas where she worked as a school music teacher for the rest of her life.
In 2007, she published her recollections  : “Ruby’s Early Life: Ray Charles My Memories As A Raelette” 


Discography
Ruby Roberson
Rheumatism / Is It Worth A Chance (Asnes 102, 1961)

Ruby Rae Roberson
Love Is A Question / What Will I Do (Asnes 105, 1961)
Ruby Roberson
Shame/  Blues At The Wedding (Southern Sound 120, 1965) A Frank Slay production

B.T.O.

0
0

Ronnie Byrd

Louise Shields
Corette Music / Crazy Cajun Music,  BMI

Dante Records
1962

Dante was one of the three labels started by Ray Doggett in Houston in 1961 (the other two were Cadette and Eric). It appears that B.J. Thomas and the Triumphs, Dean Scott, and Steve Tyrell all had their debut discs on Dante.   Most of them probably didn't make much of an impression, but the Triumph's "The Lazy Man" and Steve Tyrell's "Payday Someday" were local hits on KNUZ and KILT.   The final Dante came out in late 1964.  

Another song recorded by Ronnie Byrd from around the same time is "Back to School Blues" credited to Ronnie Byrd and the Hi-Liners.  The track was first issued (or re-issued?, but then what was the original release? anyone?) on the first volume of the "Kiddie Sound" a multi-volumes series issued by Magic Rabbit.    YouTube link



 
Veskants 45 (1966)

A post-puberty Ronnie Byrd was the vocalist of the Veskants who recorded a 45 on W.M.C., a label out of Waco, Texas.   See http://www.garagehangover.com/veskants/
 
  
 
Chattanooga, Tenn. songwriter, producer and promoter Louise Fields wrote both sides of the Dante 45.   See Louise Shields: Standing In The Shadows  where you will learn that "Elvis is not the only singing star that Mrs. Fields has been able to call "friend." Add to the list Johnny Cash and Jerry Lee Lewis."

Less at the Mrs Fields' advantage (but a little more credible, in my opinion) is the following bit of info which can be found HERE. Larry Banks, member of The Squires, a Chattanooga band, recalls :
In the spring of 1960, we met a woman named Louise Shields who owned a small recording studio on South Broad Street.  Small is an understatement, it consisted of one Wollensack (sic) tape deck and a couple of microphones. She asked us to “audition” for her by coming out to a school in Tiftonia one Saturday and play.  As it turned out, she was being paid by a local politician to furnish entertainment for an election campaign barbecue he was having.  Louise was getting us for free and calling it an audition (typical Louise as we later learned). 


I Need You

0
0

The Utmosts

I Need You
Oma Heard, Beechwood Music Corp. BMI

Pan-Or Records
February 1962

Pan-Or Productions headed by independant producers Adam Ross and Jack L. Levy was part of the Beechwood Music Company, itself founded by Capitol Records in 1948.    The most successful act produced by Pan-Or productions was The Rivingtons (Liberty Records).

Oma Heard was the lead singer and/or member of various girl groups.  Rob Finnis has told their story. 

From the liner notes of The Dore Story (Ace Records) :
 
The DARLINGS, a female quartet comprising Oma Heard, Carlotta Robertson and the sisters Maxine and Julia Waters, were managed and produced by a former artist named Bobby Sanders - real name: Jerome Lenoir. In 1963, Dore issued two consecutive singles by the group under different names, the first as the Postalettes singing 'He Played 1, 2, 3, 4' (a variation of 'The Paddiwack Song'), the second as the Darlings with their punchy revival of 'To Know Him Is To Love Him', heard here. Sanders produced all four at the same (with Grayson arranging) and assigned the masters over Dore on 23 January 1963.

Three of the four girls had previously sung in a Fremont High School group named the Sweethearts, who recorded for producer H.B. Barnum in 1961 and moonlighted on obscure one-off 45s as the Utmosts and the Sa-Shays.  Although amateur, they were already establishing career paths as versatile session vocalists and barely knew their identity from one release to the next - immediately prior to signing for Dore, they had recorded a one-off 45 for producer Steve Venet (himself a former Dore artist) as the Dynels on Dot.

Something about 'He Played 1, 2, 3, 4' piqued Lew's interest because a few months later, he re-issued it with a new B-side ('My Pillow') on Dore 677 crediting the Darlings. Then again, in October 1963 on Dee Dee 677 as by the Delicates! (This can be heard on Volume 2.) And he wasn't finished yet. Possibly frustrated by his inability to break the record, Bedell sold the master to a couple who ran a tiny R&B label, Celeste, out of their LA home, prompting a further re-issue with the revised title 'This Old Man' on Celeste 676.

Oma Heard later sang with Ike Turner's Ikettes, did session work and recorded under her own name for Motown in the late 1960s, while the Water sisters worked as background singers on countless sessions by such diverse artists as Paul Simon, Diana Ross, Bruce Springsteen, Billy Paul and Rod Stewart.



Artis Lane (cover art)

0
0

What a ugly cover !  The Ray Charles painting is signed Artis Lane.  I didn't know who was the painter.   And at my surprise, I soon discovered that she is apparently much celebrated.
Artis Lane's works are among the collections of Bill Cosby, Oprah Winfrey, Linda Evans, Cicely Tyson, former President and Mrs. George Bush, Mr. and Mrs. Sidney Poitier, Mayor Maynard Jackson (Atlanta, GA), Howard University, National Portrait Gallery (Smithsonian Institute), National Council of Negro Women, Mr. and Mrs. Gordon Getty, Mr. and Mrs. Michael Jordan, Mr. Steve Ross (Time-Warner), Mr. and Mrs. Ervin "Magic" Johnson, Mr. Quincy Jones, Mr. and Mrs. Walter Anneberg, Cary Grant, Nelson and Winnie Mandela, Henry Kissinger and others.
In a nutshell, she is well established artist. One Yussuf Simmonds write an article titled "Artis Lane, the Artist Without Boundaries" in the Los Angeles Sentinel.  Without boundaries, including the boundary of good taste...

Artis Lane official website

Her Oprah Winfrey Portrait




I Can Give You Love

0
0

Bobbi Martin 


Bobbi Martin, Champion Music Corp. BMI
Arranged and directed by Bert De Coteaux
Produced by Henry Jerome

Coral 62485
Recorded on 13 December 1965 Decca Recording Studio, Pythian Temple, 135 West 70th St., New York City 


Barbara Anne Martin was born in Brooklyn on 29 November 1943, but raised in Baltimore. After graduation from high school in Baltimore, she set her sights for New York and a full-time try at a show business career.   She came to the attention of personal manager Miriam Love.  Miriam groomed her young protégée first for night clubs and TV.  Her debut recordings were produced by T.H. McCulloh and issued in 1960, for the much obscure Maypole Records (#502 : (Ay Ay Ay) I'll Wait Forever / Is It True (What They Say About Al)?).  The single was also released by Reo Records in Canada. 


Seen and heard by Coral Records' A&R executive, Henry Jerome, Bobbi Martin was signed to an exclusive, long-term Coral recording contract.  She placed two songs in the Top 40, 'Don't Forget U Still Love You (1965) and 'For The Love Of Him' (1970).


She died at Brighton Wood Knull medical facility in Baltimore (lung cancer) in May 2000.




Greg Constantine (cover art)

0
0
The Coming King
Mark Custom Recording Division MC1247


From the back cover:
The reproduction of the TV image painting on the front cover is by Greg Constantine of the Andrews University Art Faculty.  The title is : "Every Eye Shall See Him"  and is photographed from the original acrylic on canvas of 66 by 88 inches.  Professor Constantine is primarily interested in seeing as "we humans see", and has investigated other ways of portraying this, hence the TV images concept of this painting.
Another conceptual "official" artist.

http://en.wikipedia.org/wiki/Greg_Constantine

Picture is from this ebay listing





Hall Of Shame

0
0

Jean Dixon


Gwen McEwen
H. Graves Music Co. BMI

Fonovox 102
1447 Union, Memphis Tenn.

1959

Short-lived label operated by Elston Leonard and Hillburn (Pappy) Graves. 

Elston Leonard was the founder of Fotovox Inc., a TV and commercial film producing firm, in 1951 at 1447 Union.
 
Hillburn Graves (1913-1973), was a saxophonist and clarinet player from Arkansas.  He toured extensively from more than two decades with the "Pappy Graves Show"

Gwen McEwen was best  known as a comedienne. She traveled for many years with Pappy Graves ("Pappy Graves Music and dancing Revue, featuring riotously funny Gwen McEwen, That inimitable "Phyllis Diller" Gal ! ")  She never made a career for herself in music, although she recorded few demos at Sun Records ("Steady Freddie" and "We"ll Have A Ball" were issued by Bear Family in 2002).   She wrote both sides of the Smokey Joe 45 on Fonovox, the only other known release on the label.
 
Jean Dixon is perhaps the former band singer who was associated in Dallas with the Hugh Fowler Agency in 1958-59 (Billboard, 31 August 1959). No further info.

 


The Goatee's Gotta Go

0
0



Dick Summer
Bill Coe and the Escorts

(Coe-Simon-Summer)

K-W Records #502

1959

Spoken word. 

Dick Summer was dee jay at WIBC at the time. Then, he was the MC of a Bandstand-type program called "Rhythm Carnival" on WISH-TV. until he was hired by WBZ Radio in Boston.  His radio show was unpredictable. He read poetry and short stories, and sometimes he played old radio dramas - listeners loved it.

The background music is provided by Bill Coe and The Escorts.  Bill Coe is believed to be the brother of musician Jimmy Coe.





WIBC radio booth on the roof of Merrill's


Merrill’s Hi-Decker was another popular spot for both locals and visitors, featuring a $1.59 steak special that could be enjoyed in the restaurant’s “Two Beautiful Dining Rooms” or in the customer’s own car. Younger patrons preferred the latter option so they could listen to disc jockey Dick Summer playing the newest rock-and-roll hits from the WIBC radio booth on the restaurant’s roof. His show featured a “make it or break it game” where he would ask patrons to honk their car horns to vote on whether a new record should be played again or broken in half.
from http://historicindianapolis.com/indianapolis-collected-the-accidental-tourist-guide-collector/
 

Oh Carol

0
0

The Musicasters


Musicasters 9135
 
1965

Flip is a version of "Talk To Me" (Little Willie John, King Records, 1958)
 
Band formed by Benton Harbor high school students (and members of the American Federation of Musicians Local 232), the Musicasters have appeared in Chicago, Grand Haven, Three Rivers and the Twin Cities in the years 1963-1965.

In the summer of 1963, they were opposed to The Playmates (*)  in a Battle of the Bands, hosted by Jan Gabriel, motor sports announcer known for his signature phrase "Sunday! Sunday! Sunday!" used to promote the US 30 Drag Strip events in Northwest Indiana.  Jan Gabriel did much more for Chicago area media than just promote weekend races on commercials.  In the early 60's, he was a night time rock & roll DJ for WJOB in Hammond -- a "screamer" much like Dick Biondi. He would emcee and DJ dances around the northwestern IN and Chicago's south suburbs.

(*)  The Playmates : South Bend band changed their name to the Rivieras, after the then-popular Buick car, broke through music's top 10 charts with the song "California Sun," released in 1963.


The Mind of Christ

0
0

The Triumph Aires

The Mind of Christ
 A. Redman, Rosegert Pub. BMI
 
Hy-Tone 209

13515 Van Nuys Blvd. - Pacoila, Calif.
 distr. by Audio Arts 2552 W. Pico Blvd. Los Angeles, Calif.


Hy-Tone Records was started in 1963/64 by Roosevelt White and Glenn Kingsby, both members of the Melody Kings, a group organized by Glenn Kingsby in 1960. Glenn came from The Wings of Faith of Santa Monica. 


Cupful Of Sunshine

0
0

 
Joan Heaton
 
Jerome-Stevenson-Fisher, Popular Music Co. ASCAP
 
Sparkle Records 101
 
1958
 
New York City?

 
Joan Heaton discography

1958 - Sparkle 101
Cupful Of Sunshine /All Day Long

1960 - Maypole 507 (produced by Jerry Love)
Dear Lord / Five Oranges, Four Apples (Three Cherries, Two Pears)
 
★ 
 

"Cupful of Sunshine" was first recorded by Jerry Jerome and his Orchestra for Keystone Broadcasting System, Inc. in 1945.

Jerry Jerome
During the swing era, Jerry Jerome emerged as an excellent tenor saxophonist influenced a bit by Lester Young; he played with Glenn Miller, Benny Goodman and Artie Shaw.  He became a full-time studio musician, working as musical director at NBC during 1942-1946, spending a couple years as the head of A&R work at the Apollo and Keystone labels, and worked as musical director for WPIX-TV in New York. 

More info : see Jerry Jerome biography by Scott Yanow  http://www.allmusic.com/artist/jerry-jerome-mn0000279192




Keystone Broadcasting System, Inc.
 
Launched in 1941 with headquarters in New York and relocated to Chicago in 1948, Keystone Broadcasting System (KBS) remains an obscure entity from the annals of radio history.
This was a transcription service that provided enough recorded programming to fill 28 hours of radio airtime per week.  KBS had over 200 nationwide affiliates in 1943. 


Her Name Is Geraldine

0
0

The Sparklers

Marvin Liblick, View Music Co. BMI

Laitini (LAI-TEE-NEE) Records
2656 1/2 SO. La Cienega Ave.
L.A. 34, Calif.

September 1958


Likely owned by Marvin Liblick who is the songwriter credited on every song issued by the label with only one exception :  "Cherish My Love" by The Glens (later re-issued by Sudden Records)

Marvin Liblick frequently recorded the same song by different artists.  For instance, "That's My Baby" was recorded by Jerri Shaw and by Betty Stewart.  Probably not satisfied by the result, Marvin Liblick (backed by the Darts) recorded it again in 1961 for Mastersound,a label he also probably owned.


Marv Liblick also dabbled in the commercial jingle songwriting.  Several copyright were filled in the mid-fifties for songs such as "Doctor Pepper's The Drink For You",  Manischewitz Is The Wine For You", Coca Cola's The Drink For You (also known as We' Re The Boys Of The Film Industry), Cadillac Is The Car For You,  Brigley's Gum Is The Gum For You, Standard Shoes Are The Shoes For You and Lucky Lager's The Beer For You. ...

As for The Sparklers : blank blank blank. 

But :

At the very same address on La Cienega Avenue that was once the headquarters of the tiny Laitini Records you can find today Robin Zodiac and her Psychic Domain ("Soulful Healing through an Accurate Telephone Reading").  One may wonder if she can help to find anything about this shoestring recording company.


Low Blow Blues

0
0

Charles (Shorty) Bacon 
and his Rhythm Rascals
Vocal Pat Patrick

Smead F. Kelley, Barrister BMI

Mohawk Records
and Publishing Company
P.O. Box 2731, Long Beach I, Calif.

1959

Shorty Bacon and his band played in several clubs in Southern California and on Cal's Corral show on KCOP Channel 13.   Shorty returned to Texas where he performed in the Temple area in the mid to late 60's.  With his Rhythm Rascals and later with The Scrambled Eggs (70s), he recorded for Ozark ('60), Impact ('61), Toppa ('63), TSM, Stoneway (72), Chart ('73) and Resco ('78).

Owner of the short-lived Mohawk label was likely Smead P. Kelley (was he a barrister?)

Relatively few info is available on Shorty Bacon.  There is few interesting (but scattered) tidbits found at The Steel Guitar Forum 

Even less info (no info at all, that is) as for the singer, Pat Patrick, who (I assume) is also the singer on all the Shorty's other Mohawk sides.

"Super Jivin' Lulu", the other side, is on YouTube.



Jailhouse Blues

0
0

Dough Quattlebaum
Jailhouse Blues
Brynor Music, Inc. BMI

Na-Cat Records

Produced by Nate and Cathy Strand
1971

Brynor Music was owned by jazz pianist Ray Bryant (1931-2011).  Address on Na-Cat #210 (Ed Wiley & The Panasonics) is 3621 Old York Rd, Philadelphia, PA.


Douglas Elijah Quattlebaum
b. January 22, 1927 in Florence, South Carolina
d. around 1990 in Philadelphia, Pennsylvania

  
Notes by Pete Welding
from the album "Softee Man Blues"
Prestige Bluesville BV 1065 (1961)
Courtesy of Stefan Wirz website


Eddie Can I Park In Your Lot

0
0

Sharon Mason

Eddie Can I Park In Your Lot
 Please-Regan, Hillary Music Inc.-Music Please Inc.

Produced by Bobby Please

Dore 525
1959



Eddie is Edd “Kookie” Byrnes, the parking attendant on the popular TV detective series “77 Sunset Strip”.



Bobby Please (real name Robert Alton Plaisted) started his recording career in 1950 as the vocalist of the Nature Boy (Eden Ahbez) Orchestra (Mercury Records).  

Several years later, he recorded four singles between 1957 and 1959 for Era ("Your Driver's License, Please"), Imperial, Starla and Jamie. 

He penned songs for Herb "The Black Singing Cowboy" Jeffries (on Maze), "Voodoo doll" (Ray Johnson on Flip), "Slap Happy"(The Congo Kid on Bull Dog), Sonny Warner (Freedom), "The Happy Reindeer" (Dancer, Prancer and Nervous, Capitol), "The Clock Rock" (Little Hymie, Liberty), Joiner, Arkansas Jr. High School Band (Liberty), The Milky Ways (Liberty) and "Hairspray" (Stanley Livingston on Marilyn) among others.  

Bobby Please died in the seventies.




Chuck's Twist

0
0

Chuck Blevins

Gale, Jalo Music, Inc.
Elvee Music BMI

Lynda 2001

Chuck Blevins is the brother of Jim Blevins (lead guitarist of  Three Aces and a Joker on the GRC label out of Salt Lake City (Utah).

Chuck had a previous release on the 20th Century Fox's subsidiary Foxie Records (Foxie 7006.)  Recorded for Jack Gale in Baltimore, Maryland, it was his own version of "Sleigh Bell Rock" a song previously recorded as by Three Aces And A Joker

Viewing all 941 articles
Browse latest View live




Latest Images