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I Want A Dog For Christmas

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Vocal by Jeanne Tanzy
The Esquire Band


 I Want A Dog For Christmas

Lenora Carpenter, Lindsay McPhail, Walt Michels & Clate Hazelwood
 Lindsay McPhail Music Pub. Co. 
Indian Lake ASCAP, N.Y. 1965

Lindwood Records #101

A second version by Jeanne Tanzy was later issued on Lindwood 105.  Hear this 2nd version at The Lord of The Boot Sale blog HERE


The Billy Mayo Quintet (vcls: George Kent and Wed Howard) recorded the song as early as 1947 for the Texas' Lone Star Records (it's on YouTube HERE)


The Lindwood release has an additional composer credit in the person of Clate Hazelwood, who may have been, with Lindsay McPhail, owner of the Lindwood Records (LIN=Lindsay, WOOD=Hazelwood ?).  Address ot the label (from Lindwood #105) was 649 Mellsway, Medford, Mass.

Born September 17, 1903, E. Clayton Hazelwood ended his formal education in the fifth grade.  After a long illness and much therapy, he settled into an introspective and sedentary way of life.  Despite his handicap, he was determined to achieve success in this chosen fields of endeavor, his published poetry and articles became known.  By 1934 he was writing for a chain of New York papers.  Directing radio programs for children in Syracuse, Boston and New York City followed shortly after.  By 1938 he had authored three books of poetry and had written the lycics for many recorded songs.

Part of his radio program on WSYR in Syracuse, N.Y. was devoted to an Uncle Clate's Club for children ages 5 to 13.  His aim was to teach children, particulary crippled children, how to handle their problems, and he would take time on each program to answer their questions.

From Syracuse he went to Boston with radio programs for two furniture chains and managed the University Theatre at Harvard Square across from Harvard College in Cambridge, Massachusetts, where he continued to write lyrics for numerous recorded songs but never neglected the poetry that he considered his first interest.

Lindsay McPhail 

Matthew Lindsay McPhail, Jr (1895-1965) was a composer and pianist.  His only major song, “San” (subtitled “Oriental Fox-Trot,” was first recorded in 1921 and has been since interpreted by dozen of artists (see discogs.com).    Lindsay McPhail was once married to Addie McPhail, a former Hollywood actress who became the third and last wife of scandal-plagued silent-film comedian Roscoe "Fatty" Arbuckle.

 Jeanne Tanzy

Born Jeanne Tanzillo, she is the daughter of FiFi Tanzy, a New York City talent agent.  Jeanne was a child actress on Broadway and worked in TV, films and radio.  More recently, she has been a personal manager for many years having represented actors and several musical groups including the 'Backstreet Boys'. More info HERE  (Note : Jan Tanzy on Columbia Records is her older sister).



Famous Quotes Illustrated

Emanuel Lelie on Madinina

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Emanuel Lelie
Arr. and cond. by Sammy Fields
Charles Trenet
C. LeTang - E. L'Elie
Enregistre a la Guadeloupe

Madinina 1001
(1960)
Billboard, 25 April 1960
Madinina ("Island of Flowers") is one of the first name of the Martinique, which is, like Guadeloupe, an overseas region of France.  

Billboard had all wrong when this record was described as sung in Spanish.  One side is sung in Creole and the other in French.

"I Wish You Love" is the popular song penned and recorded by french singer Charles Trenet in 1942.  See Wikipedia for lyrics translation.

Que reste-t-il de nos amours ?

Ce soir le vent qui frappe à ma porte
Me parle des amours mortes
Devant le feu qui s'éteint
Ce soir c'est une chanson d'automne
Dans la maison qui frissonne
Et je pense aux jours lointains

{Refrain:}
Que reste-t-il de nos amours
Que reste-t-il de ces beaux jours
Une photo, vieille photo
De ma jeunesse
Que reste-t-il des billets doux
Des mois d'avril, des rendez-vous
Un souvenir qui me poursuit
Sans cesse

Bonheur fané, cheveux au vent
Baisers volés, rêves mouvants
Que reste-t-il de tout cela
Dites-le-moi

Un petit village, un vieux clocher
Un paysage si bien caché
Et dans un nuage le cher visage
De mon passé

Les mots les mots tendres qu'on murmure
Les caresses les plus pures
Les serments au fond des bois
Les fleurs qu'on retrouve dans un livre
Dont le parfum vous enivre
Se sont envolés pourquoi?


Hey Mr. Heartache

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Larry Nolen And The Bandits

 Hey Mr. Heartache

    Metro Politan Music Co.

Radio Records Inc.
427 Gettysburg San Antonio, TX
1959


Also issued on Renner Records in 1961.


In 1946, when he was barely 13 years old, Larry Nolen began his professional music career. He was asked to play rhythm guitar with The Mountain Rhythm Band which featured Boy and Gene, the Jacoby Brothers. Smiley Whitley, leader of one of the most famous western swing bands in Texas, recognized a star on the rise and invited Larry to play with his band, Smiley Whitley and the Texans. They performed most Saturday nights at Bandera’s famous Cabaret Dancehall and also hosted a radio show at San Antonio’s KONO / KMAC radio station five days a week. Larry delivered his first solo radio performance one day when he was the only band member who was able to travel to the station during a severe ice storm in San Antonio.     http://www.songridersstudio.com/larry-nolen.html

Larry Nolen discography

Eddie Gaines on Tri-Tone

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Eddie Gaines

E.Friedlander, Marionette Music BMI

Riccitelli-Todris, Samovar Music ASCAP

Tri-Tone TT-3000/1
1960

Believed to be the same Eddie Gaines from White Plains, Kentucky who recorded "Be-Bop Battlin' Ball" for Summit Records.  Eddie had since turned into religion and didn’t want to hear about Devil’s music, according to boppin.org.  This release was also issued on the 20th Fox label in 1961.

The Tri-Tone Record company had very few releases between 1952 and 1960 : The Magichords (1952), Don Bari, Eddy Tone (both in 1955) are the only other known artists on the label which was located in New-York and then in Yonkers, N.Y.


Jim Dandy

Kiss Kiss Crazy

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Janice Smith
"Fats" Johnson Orchestra

Connor-Fotine, True-Blue ASCAP

Balboa 45-004
1957

(also issued on Brunswick 55018)

"Kiss Kiss Crazy" was penned by Tommie Connor and Larry Fotine, who was the owner of Balboa Records in Van Nuys, California.  Fotine also led the orchestra here under the "Fats" Johnson alias.

Larry Fotine
Larry Fotine was born Lawrence Constantine Fotinakis in Camden, New Jersey on April 27, 1911. Around age 14, he started studying piano and then self taught composition, arranging and orchestration. About 1935, he organized a local youth orchestra and played various engagements in the surrounding cities. He later joined the Sammy Kaye Orchestra as an arranger from 1940 to 1945, and from 1945 to 1947 was arranger for the Blue Barron, and Art Mooney Orchestra. By 1948 he organized his own orchestra, and later joined the Lawrence Welk orchestra in 1958. As an arranger he worked with Mr. Welk for two years. Larry Fotine was a member of ASCAP and said to have written and published many songs. He released in 1959 his own 20th Contemporary Classical work for the Balboa label under the alias “Constantine and His Orchestra” with composer credits to Larry Fotine. He also went under an alias name “Beale Street Buskers”. In the late 1980's, he was still active writing music as background music and tunes for a variety of animated cartoon series. Larry passed away of a ruptured aortic aneurysm on November 25, 1990.  
From http://www.discogs.com/artist/880490-Larry-Fotine

Janice Smith cut several 45s on Balboa, the last as late as 1976. A such extended association (twenty years!) with the same label seems to suggest that she was perhaps very close to Larry Fotine.  There was also a country single on Hall Of Fame, a Nashville label : Candy Kisses / Jealous Heart.  But this is perhaps another Janice Smith?  Anyway, I've not found any info on this singer.


How to Kiss
"Kissing comes by instinct, and yet it is an art which few understand properly.  A lover should not hold his bride by the ears in kissing her, as appears to have been customary at Scotch weddings of the last century. A more graceful way, and quite as effective in preventing the bride from "getting away." is to put your right arm around her neck, your fingers under her chin, raise the chin, then gently but firmly press your lips on hers.  After a few repetitions, she will find out it doesn't hurt, and become as gentle as a lamb."
In the same volume the author condemns the use of rouge by women.

From Henry T. Finck"Romantic Love and Personal Beauty" (1902), quoted by David L. Cohn "The Good Old Days", Simon and Schuster, 1940

Can you name these blues godheads ?

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Puzzlers from an old issue of 78 Quarterly


 Cartoonist is Anthony Mostrom.
Anthony Mostrom's strips have appeared in Weirdo, No Mag. and Twist.  He was (is?) also the host of an avant-garde/novelty music show in Los Angeles.


Granny in a Mini Skirt

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Corny Critters

Jesse M. Dyas, Sound Corp. Musc, ASCAP

Produced by Don Lewis

Relco 2096


One of the Caprice Records subsidiaries located at 907 Main Street, Nashville, as were Checkmate and Soundmate.  In a early stage, Caprice Records was closely related to Buzz Cason's Creative Workshop Studios founded in 1970.   Buzz Cason sold his interest in the firm to Charles Pohlman, a Nashville businessman.  Don Lewis presided.

In 1982, Don Lewis was sentenced to six months in prison for wire fraud, and to perform 200 hours of community service in return for his guilty plea of the charge.
 
The wire fraud stemmed from allegations that Caprice, a custom-contract label, bilked some 450 unknown singers around the country out of approximately $3,000 each in return for record "deals."  Lewis falsely promised in the contracts that the singers would get free auditions, have demos sent to Nashville producers and be provided trips to Nashville for recording (Billboard, 25 September 1982)

Two interesting pages about the song-sharking business, which was I believe quite flourishing in Nashville in the seventies  :

The Working Girl

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Harriet Savage
 
Pinnacle Records P-1012
The Bigg Country Talent Agency, Wheeling, W. Va.

1972

Harriet Genevieve Uphold Savage Yanego, 71, Grafton Road, Morgantown, W.Va. passed away July 25, 2003 at home.

Born Jan. 2, 1932 in Confluence, Pennsylvania. She was a former employee of Galis in Pleasant Valley.   She opened the Savage Toll House Restaurant on Route 40 in Addison;  Also a partner in the Appalachian Lake Park in Bruceton Mills, W.Va. where she managed and held singing performances at the park. She enjoyed writing music and wrote several songs.






Jungle Rock

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The Chimes of Freedom

Jungle Rock

Hamilton - Francis - Pytlovany
Robert Barry Music

Label ? (USS 102)
(1970)
 
Group from Scotia, a village in Schenectady County, New York,

Members : Darrell Francis on drums, Bill Pytlovany, lead guitar, Paul Hamilton, rhythm guitar, Jeff Austin on bass guitar, Chip Vedder, lead singer and Mari Salato, female vocalist.  (obviously not an all girl band, as some believe)

Probably recorded at Vibra-Sound studios on Crestwood Drive, Schenectady.  Most (if not all) music recorded there was published by Robert Barry Music.

Come Along Santa

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Delores Bissette

(Vida Nixon)

Nixon Records

(© 19 February 1962)


Vida Lellon Munden Nixon (1894-1988), North Carolina native, was a composer of songs and hymns for children.  See hymnary.org for a list of some of her songs.

A Kay Bank pressing from 1962

Coming soon to this screen*
  • The Panthers on D&C
  • The US Beatles on DR
  • Tiny Morrie (his first on Hurricane)
  • Jerry Jaye on the Label label
  • Little Brad Williams (awful kid singer, clips only)
  • Bill Eagle on Reeta Pass
  • A little something on Chuck Nix
*unless I'll found out that they had been already blogged, youtubed or butchered elsewhere!


Searchin

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Thanks to Darryl Bullock's latest post, I do known now that this tiny Power record label was located in Jonesboro, Arkansas.  This, hum, is the song made famous by The Coasters in 1957. 


"I do not search, I find
" said one day Pablo Picasso or Einstein (or both?, but not at the same time).  Well, I can tell you, they certainly never searched for Karen Fellows, otherwise I will able to give you some interesting details, such as who were her parents, where she was born, who was her voice coach, etc.


Image and video hosting by TinyPic

Searchin

Picture of Mommy Twisting With Santa

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Little Cori Sings


Aromando - Petolino, Jingle Music ASCAP
Arr. and conducted by Marc Federicks
Air-Wave #1301
Bloomfield, N.J.

 
Vocalist, 7, Releases New Yuletide Recording

Woodbridge — During the past week, some of the nation's top vocalists, Doris Day, Dinah Shore and Jo Stafford, took notice when seven-year old Cori Petolino, a former Woodbridge youngster, released her latest recording,  "An Oscar for Santa" which appears destined to become a big hit during the Christmas holidays.

Cori, daughter of Mr. and Mrs Vincent Petolino, now of Bloomfield, has a vibrant personality which practically ear-marked her for early stage stardom, but a prior mysterious throat ailment appeared to handicap her early career, as a vocalist. She suffered repeatedly from a series of colds and sore throats.

The family doctor prescribed the removal of her tonsils and after the simple operation, Cori began to sing like a lark.  At first she harmonized to entertain her family and friends, but her talents were not to be confined when an executive of Air-Wave Records decided to give her a crack at waxing a record.

With the opportunity to make a record, her father, an insurance agent with a theatrical background, decided to dig up a number with suitable lyrics and music for his daughter.  After scrutinizing several songs, he decided to go along with "An Oscar for Santa," written by Joseph Aromando, Nicholas DiNardo and Vincent Petolino.  And, after listening to the recording, it appears as though he made the right choise.

Tonsilitis prevented Cori from appearing at the recording studio until Columbus Day when she was at her best, spinning her two choices, "An Oscar for Santa" and "Picture of Mommy Twisting with Santa Claus".     Her unique voice is sure to catch the fancy of the public because of its unusual quality.

Hopes it Sells a Million

When questioned about the future of her record, Cori lost little time answering.

"I hope it sells a million copies so that I can study dramatics and go to Hollywood to star in the movies.  Daddy was a Newark bandleader so I do have a little show business background."

 To date, Cori's most ardent supporters are her mother, the former Sylvia Gannilla, whose own father was a noted Woodbridge sculptor, four older sisters and her father.   They are all in favor of a professional career for Cori if it doesn't interfere with her education.  Thus far her grades at Sacred Heart School have not suffered to any extent.

Mr Petelino wears a smile whenever he discusses Cori and in a modest manner stated during a recent interview:

"We don't want to push her into anything but if she wants a career in show business, it is best that she starts now.  As of a child she can keep her career a business. An older girl has a much harder time of it."

To date the record has been played in several department stores with territifc response : especially from the younger element who enjoy Cori's melodic one and the catchy lyrics.  The record appears well on its way and it will be interesting to watch the result of a simple tonsil operation which practically transformed a little girl into a promising vocalist.

 Little Cori


Acknowledgments : The RedBoy (for label shot and audio - now unavailable - posted in his blog 6 years ago), BandBox244 (Little Cori picture from the record sleeve), The Independent-Leader, Woodbridge, N.J. Thursday, November 15, 1962 (for the story)

Rock Baby Rock

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Shasta Record Co.
No. Hollywood, Calif.
#111

Sam White

Rock Baby Rock
Wakely-Gershensen
Riverside ASCAP

Sugar Candy 
Wakely 
Riverside ASCAP

This Shasta is the re-issue of the initial release on the Shastone label launched in May 1958 by Old-time country singer and cowboy actor Jimmy Wakely   After few releases Shastone was renamed Shasta, keeping the same catalog numbering.

On the "Rock Baby Rock" side, Wakely shares with Gershensen the composer credit (he wasn't on the Shastone credit).  This is likely Joseph "Joe" Gershenson,  who headed the Universal Pictures music department throughout the 1950s and 60s.



Little Brad Williams

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Little Brad Williams


 Perfection Sound Inc. Smyrna, Georgia 
1982

Brad performed his first song, "Just a Little Talk With Jesus" when he was 20 months old.  Brad's mother and father [Becky and Ricky, 110 Windy Hill Road, Alpharetta, Georgia], travels with him wherever he goes.  Brad's father plays the piano for him.  Who knows where a 5 years old with Brad's "talent" can go ! !  
 
J.J. Waldroup
Chairman, Youth Variety Show, 
Georgia Mountain Fair

Brad Williams is still into music these days.  See Southern Accent

Free Is Not For Free

Ding Ding Ding

All I Want For Christmas Is A Steady Eddie

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Barbara Mann


Jaques-Tupper-Curzio
Play-Mor Music - BMI

Honey B Records P-106
A product of Buzz Records, Inc. N.Y.C.

Trusonic Fidelity
 
1959

Also issued of Buzz Records, the main label, presumably at the same time (1959).  
 
Buzz Records owner (or part-owner) was Bobby Smith who was a key member of the Erskine Hawkins Orchestra and an in-demand session man, this alto-sax master made a number of his own recordings - cuts that have become highly sought-after rarities.

There was a Barbara Mann on Count Records ("Yea Sugar Baby // Choctawhatchee Bay") but this may be another singer.

Songwriters are :

  • Mary Ann Curzio (who recorded on Pontiac Records as Mary Ann Curtis)
  • Leo Armand Jaques
  • Loretta Clemens Tupper, a radio entertainer of the 1930's and 1940's who appeared later in television commercials,




Walk The Bebop Walk

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Ernie Felice
With Shorty Rogers and his Orchestra
 
(David Holt, Allied Music Corp., ASCAP)

RCA Victor 47-7606
October 1959
 
Producer Dick Peirce
 
 


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