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Don't Call Me Chicken

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Bob Crewe

Don't Call Me Chicken

Melba 119
1957

The story of Bob Crewe and Frank Slay starts generally with "Silhouettes", a song recorded by The Rays.  

But their association actually dates back from 1953, when Crewe met and partnered with Frank Slay Jr., a young pianist from Texas who came to New York aged 21 in 1951.
 
"Don't You Care", the earliest song they wrote together and sung by Bob Crewe, was issued on the Philadelphia BBS label in 1953, a label owned by Bill Borelli.

 Before this Melba release, Bob Crewe also recorded for Jubilee (1954), Spotlight (1955-1956) and Coral (1956).

To tell Crewe's full story would take a book 

 



Rock-A Bayou Baby

Carmen Taylor and Elena Madera

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 Elena Madera
 *
Willie B.
Carman Taylor
Big "Tootin'" Buddy Lucas Band
El Toro 501

 


The tiny El Toro label was launched in 1963 by music store owner Buddy Dunk who was once the manager of The Limelighters, a black vocal group who recorded for a lot of budget labels under a great variety of names. (For details, see the Marv Goldberg article HERE

"Willie B", recently re-issued, is the most obscure record ever recorded by Carmen Taylor, a New York cabaret artist, songwriter and session singer who recorded for a number of East Coast labels in the 1950s.  The labels she recorded for, besides Guyden, were Atlantic, Mercury, Apollo, King and Kama Sutra.

So many records and so many songs penned (most with Willis H. Carroll) and yet, I've been unable to find much info or even a picture of Carmen Taylor who was with Lavern Baker and Ruth Brown on Atlantic Records at the same time and was not less successfull.

Exit Carmen Taylor, enter Elena Madera.

Born in Havana, Cuba of a Cuban-born mother who was a professional dancer, and a father, born in the USA, who was a bandleader in the Philadelphia area.  Elena came to the United States of America at age two, began singing at age three,  For a little more details about Elena Madera, see Alex who is just as curious about the fact  that there isn't much info about Elena Madera on the web.

After extensive research (I'll spare you the details), there is no much doubt in my mind today that Carmen Taylor, Carman Taylor and Elena Madera are one and only one person !





Carmen Taylor  : My Son (Kama Sutra)



Elena Madera : Pepito


Elena Madera : El Chipi-Chipi




The Chicken Mash

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Dennis Weaver

 


The Chicken Mash / The Apes
 Hal Moffett-Bob Summers
Exbrook Music, BMI
Produced by Hal Moffett
Eva 103
1963
Box 2921, Hollywood 28, Calif. 
Dennis Weaver, of part-American Indian background, served as a pilot in the U.S. Navy during World War II.  He was a struggling actor in Hollywood in 1955, earning $60 a week delivering flowers when he was offered $300 a week for a role in a new CBS television series, Gunsmoke (1955). After nine years as Chester, who he played with a stiff-legged gait, he was earning $9,000 a week.

Mainly known as actor, Dennis Weaver was also a musician.  In 1958, he formed a singing trio with Milburn Stone and Amanda Blake. In 1960, the trio broke the house record for the Albuquerque Arena during the New Mexico State Fair.   Dennis Weaver recorded three albums of country music in the seventies.

Dennis Weaver discography
45s
1959 — Cascade 5906 : Girls (Wuz Made To Be Loved) / Michael Finniga
1963 — Eva 103  : The Apes  Chicken Mash
1963 — Warner Bros 5352 The Sinking Of The Reuben James/ Genesis Through Exodus
1969 — Century City  : Days Like These / Cobwebs Of Your Mind
1973 —  Im'press 716  : 20th Century Man / No Name
1975 —  Ovation 1056 : Hubbardville Store / Prairie Dog Blues

Albums
1972 —  Im'press 1614  Dennis Weaver
1974  — ABC 847 : People Songs
1975  — Ovation 1440 One More Road

It's Time To Leave You

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Merle Lee And The Eye Shadows

 It's Time To Leave You 
(Jules Benner-Lee Sages)
Debbie Anne Music Inc, ASCAP
Debbie 1271
 Foster-Gates Productions
Recorded At A.M.S
1963



 
It's Time To Leave You







Arranger and composer Walter "Gates" Grigaitis (d. 1977) worked for Swan Records.  His arrangements were used by Chubby Checker, The Supremes, Freddie Cannon and others.  He also operated his own record production firm in Philadelphia with singer Debbie Foster.   

Little is known about Debbie Foster who is probably the fashion model coached by Artie Singer for a band canarying spot with Art Wendall at the Palladium in Philadelphia in 1953

Nothing is known about Merle Lee and The Eye Shadows



Great Moments in Boxing

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Great Moments?
It depends on who you ask

A Razzle Dazzle

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Eddie Korosa Jr.
Boys From Illinois
Frank Cernugel, Ronnie Zola, Greg Zola, Jeff Chmielewski
 
E. K. J. Productions CTN-215
 
 


Eddie Korosa and the Boys have been playing together since 1976 playing polkas, big band, rock and roll and country music,  



Roly Poly

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Wade Morris


Virgelle 733
"Goldenrod Series"
Producer Ron Biberthaler

1965

Virgelle Records, a Seafair-Bolo subsidiary,  was located in Seattle, Washington


Wade Morris (1932-2013)

Woodie Wade Morris played music all his life. He played the bass guitar, steel guitar, lead guitar and flat top guitar.  He has written many songs and recorded them as well.


Great Big Baby

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Don Caron’s Orchestra
with Gini Patton vocalist

Academy 5558
1955

Male vocalist (Eddie Allyn?) with group backup. Obviously, despite what the label says, the vocalist is not Gini Patton who was a female singer born Virginia Pasternak.

Don Caron was a schoolteacher who also headed an orchestra that was popular in the Chicago area throughout the 1960s.  The orchestra was the house band for a local record label named I.R.C.   In 1962 the Caron orchestra got an instrumental hit on a reworking of an old traditional number, "The Work Song."  Released on IRC, the record lasted two months on the WLS survey chart.

So What

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Carmen Taylor


King 5085
(1957)

King "bio" (but no bio). Carmencita Taylor, also known as Elena Madera in some spanish speaking countries according to my own research

Personnel for the King Records session  :

Hilton Jefferson, Leslie Johnakins (alto saxophone) Hal Singer (tenor saxophone) Dave McRae (baritone saxophone) Kelly Owens (piano) Billy Butler (guitar) Carl Pruitt (bass) Panama Francis (drums) Carmen Taylor (vocals)
 
NYC, September 9, 1957


Bo Diddley

Please Don't Play On That Guitar

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Calvin Cheek


wr. Calvin Cheek, Chuck Huffman

Tally 103
From Bakersfield, California, with Bill Woods on fiddle.

I can't tell you much about Calvin Cheek.   He and Chester "Chuck" Huffman also wrote three songs listed in the BMI database (Sweet Lovin Ways, With Or Without You and Wood Man), so after all this wasn't perhaps his only record. 




 

The Frog

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 The Constellations


 Impel Records
Shelby, NC
mid-sixties

Over the course of three decades beginning in the late 1950s, David Lee, this unheralded songwriter, musician, producer, and entrepreneur released fourteen 45s and two LPs on his Impel, Washington Sound, and SCOP labels, run out of his Washington Sound record shop in Shelby, North Carolina.


The Constellations had 3 records on Impel

More on David Lee here

He's Gone

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Pearl Reaves
with Paul Farano Trio


Pearlsfar 101
1958

Pearl Reaves, a singer originally from Raleigh, North Carolina, moved to Rahway, New Jersey in the late 40s. After winning some local talent shows, she started singing at the Palace Blue Room, owned by bandleader/drummer Paul Farano. She not only sang, but played guitar with the Paul Farano Trio there for two years (and ended up marrying Farano).  She mostly limited her career to singing with her husband's band.

For more info, see The Concords, article by Marv Goldberg here


The Lovely & Incomparable Pearl Reaves
and Paul Farano Trio

School Bus Blues

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Jim Harris
and
Bobby Albright's Boot Hill Express


Empire Records


Out of Lubbock, Texas from, I guess, the early seventies



Swingin' Ring

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Flora Belle Singer


Star-Star Selections 524


Ed Rudy produced it.

Ed Rudy started in show business as “The Milkman” on 1010 WINS in New York City. He later worked at WMGM and WABC in the city. He did both syndicated and live radio and also worked as a newspaper columnist and a record producer. It was his broadcasting for INS Radio News, Radio Pulsebeat News and UPI Radio that put him in contact with The Beatles in 1964. He traveled with The Beatles on their first American tour. The Beatles tolerate him at best.

Ed Rudy claimed to be the only "reporter" to follow the group for the entire tour, a boast that he parlayed into a weird souvenir album from the period : The Beatles - The American Tour with Ed Rudy.  Cheaply packaged, with rubber-stamped printing on a white cover, this was one of the first Beatles exploitation interview albums, a industry that amazingly continues to thrive.   


Singer, the singer
possibly born in 1937 in Pennsylvania ?
no info

Besame Mucho

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Sherri Malinou


Vassar 326

1962

 
Was issued with a picture sleeve. The new "Spillane Dame" is presented on the back of the sleeve by her future husband, the crime novelist Mickey Spillane
 
Great things can happen by accident.  When Sherri Malinou posed for the back cover photo of my latest book THE GIRL HUNTERS,  I discovered not only a beautiful model, but one of the greatest voices I ever heard.  Now, on top of recordind single records and albums for Vassar Records, she'll be featured in my Mike Hammer motion pictures produced by Fellane Productions.

Although just entering her twenties, Sherri's dancing career goes back to age five and the vaudeville stage.  She sang and danced her way into the Bell Telephone Hour, the Ray Bolger Broadway hit ALL AMERICAN, the award-winning off-Broadway show Riverwind and the Oldsmobile Show.

A throroughly trained and talented singer, Sherri Malinou's voice has an incredible range and calibre.  She can inspire musicians and listeners alike.  Arranger, Lew Douglas sweeps her into new dimensions of song and sound destined to thrill music lovers of all ages.
Note : she was not featured in "The Girl Hunters" movie and I can't find evidence of further recordings by Selma (Sherri) Malinou.


Sherri on the book cover
photographied by Mickey Spillane 
(1972)

Her marriage ended in divorce (and a lawsuit) in 1983.  She found work later with Ruth Webb, a talent agent, as casting agent in her Scandal Agency  : 
Although Ms. Webb chats plenty on the phone, she spends most of her day up in her bedroom, with her 1,500 stuffed raccoons, typing out her memoirs. Ms. Spillane and another agent, Scott Stander, appear to be the real worker bees. Each morning, they plow through a list of available roles, looking for spots for their clients.
Casting agent for pimps, athletes connected to violent crimes and "actors" who are associated with athletes connected to violent crimes, Sherri Spillane.says that her job is really good old-fashioned charity work.

"I help people,"
she said about the scandalous (or as she prefers to call them, "high-profile, controversial") client list she recently developed at the Ruth Webb talent agency here. The first was the figure skater Tonya Harding, who was stripped of her national championship for her role in the attack on her rival, Nancy Kerrigan, last year. [1994)

Since signing Ms. Harding eight months ago, Ms. Spillane has also picked up Sydney Biddle Barrows (who ran a high-end prostitution ring several years ago and wrote "The Mayflower Madam"); Jennifer Young, the roommate to another madam, Heidi Fleiss, whose clothing line she markets; Tammy Faye Bakker;Randal Tamayei, a Judge Lance Ito look-alike, and her personal favorite, Joey Buttafuoco, the auto mechanic whose romantic trysts with a Long Island teen-ager, Amy Fisher, resulted in a bullet wound to the head for his wife, Mary Jo, and, thanks to the agency, a few tickets to the Academy Awards ceremonies.
And just what qualifies Sherri Spillane for this scandalous task?

Well, according to the company's press release: "Sherri's own scandal, dating Sammy Davis Jr., while still married to world famous mystery writer, Mickey Spillane, has given her all the experience she would need dealing with the media blitz that follows every major scandal . . . Sherri recognized an opportunity in an uncharted market and found her niche."


Stand By Your Man

Chick Chick

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Little Bob and his electric uke


B&L 2
1966
Seattle, Washington

 
This is Robert Hrvatin (1932-1973).  He resided in Burien (Washington State) at the time of his death.
 
His previous record on the same label, "Rock That Uke", is listed at the Rockin' Country Style website here 
 


Scratchin' On My Screen

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Feelin' Joyous

(new link)

Ric Cartey-Larry Handley
Lowery Music

El Rico 069 1/2

1962
A reworking of the song recorded four years earlier by Ric Cartey on NRC.  Feelin' Joyous is quite possibly Ric Cartey himself.  The song, written by Cartey, was loosely based on the old country blues "Diggin' My Potatoes".  The P.O Box on label is the address of the Lowery Music Company. 


Carole Joyner and Ric Cartey

Ric Cartey will be remembered as the co-writer of "Young Love". Few songs have charted in so many different versions. Alongside the chart-topping renditions of Sonny James and Tab Hunter, there were hit versions by The Crew Cuts (# 17, 1957), Lesley Gore (# 50, 1966), Connie Smith & Nat Stuckey (# 20 country, 1969), Donny Osmond (# 25, 1973) and Ray Stevens (# 93, 1976).

Ric Cartey was a protégé of the Atlanta-based music publisher and record producer Bill Lowery, who launched the Stars label in 1956 with Cartey (and his group the Jiv-A-Tones) as his principal artist. Ric's debut single, "Ooh-Ee", was reviewed in the C&W section of Billboard (November 24, 1956) and scored a 90, a rating rarely given. "A unique listening experience", wrote the reviewer. Hidden on the backside of this rockabilly number was a ballad in a completely different style, "Young Love", which Cartey had written together with his girl friend, Carole Joyner.   

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